life is machine part 1.

Those were some of my favourite machine,i'm into KORG stuff.
Some people claim KORG make the finest synthesizer with extraodinary sounds.
So,don't be ashamed if people called you weird as alien.Cause you can make the noise from this shit.
I can be great with those machine.Will make some las ass and boobs shake fast if i using it.
I used to be an electronic Dj who use only synth to make people dance like hell.
No need to be more chattering a lot.let's have some infomation.

The Almighty MicroKORG

an analog synthesizer /vocoder with 37-key mini keyboard can make your work easy.

synthesizer with 128 programs and vocoder with 4 voices.

voices with sound source 1 Oscillator + Noise Generator, EG x1, LFO x2, 8 Channels vocoder, Level and pan of each channel can

be edited,Formant Shift function.

synthesizer programs with 2 Oscillator + Noise Generator, Multi Mode Filter , EG, LFO, Virtual Patch.

got some effects like modulation,delay & equalizer.6 types of arpeggiator.

this synth was great easy-to-use synthesizer.

the surface is beige-gold body, wooden side panels and retro-influenced design.it looks vintage and funky,

The Great KORG R3

this one also was a synthesizer with vocoder.37 keys.for each voices,the R3 provides two oscillators.Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks.Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds.got dual filter like filter 1(multi-mode resonant design that lets you continuously vary between various low pass,high pass and band reject characteristics.Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering.Each voice provides three ADSR envelope generators (EG) for classic analog synthesis control over pitch, filter and amp characteristics. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new levels of precision and articulation.Two LFOs with six waveform choices can be used to apply cyclic modulation to synth parameters.The Modulation Sequencer can apply a time-varying change to a specific parameter, similar to CV control on an analog synthesizer.There’s also a Motion Rec function that lets you capture and replay real-time knob movements.Six different arpeggio patterns are built-in (UP, DOWN, ALT1/2, Random, and Trigger). got 128 programs like:favourite,bass,lead,polysynth,pad/strings,keyboard,bell/metal,motion sounds,perc/hit,SE,arpeggiator/sequencer,vintage bass,vintage lead sounds,vintage poly and for vocoder programs like formant motion and vocoder type.

KORG RADIAS is SICK!!

also a MMT (Multiple Modeling Technology) synthesis like korg r3. got 2 oscillators + noise generator:Oscillator 1 - 9 basic waveforms, 4 types of modulation, PCM (64 synth sounds, 128 drum sounds)Oscillator 2 - 4 basic waveforms, 2 types of modulation2 filters (w/serial, parallel, individual routings):Filter 1 (variable multi-mode) -24 dB Low Pass, -12 dB Low Pass, High Pass, Band Pass, ThruFilter 2 (switchable multi-mode) Low Pass, High Pass, Band Pass, Comb1 driver or wave shaper (11 types)3 EGs2 LFOs6 virtual patches3 modulation sequences in synth.in vocoder there was 16-band vocodervariable level/pan for each channel,formant motion function (sixteen 7.5 sec. formant motion data sets can be recorded)formant shift function&formant hold function.effects 30 types, structures 2-band EQ + 2 Insert effects per timbre (x4) + 1 Master effect.6 types (Up/Down/Alt1/Alt2/Random/Trigger) of arpeggiator.8 notes of sequencer.programs like 256 (16 x 16 banks, including program/user area)128 Timbre Templates 128 Insert effect Templates 128Master effect Templates.drums 32 kits.this is synth with 49 keys.